Time For My Annual Blog Post!

I’m in L.A. right now, having just attended Romance Writers of America’s annual conference, which this year was held at Disneyland the Anaheim Marriott.

I had two missions. The first — attend as many YA-oriented workshops as possible (and I’ll share some general stuff about the market in a moment). And the second — pitch my latest book to an editor without throwing up. You’ll be glad to know I succeeded at both.

As well as the official business, there was plenty of fun to be had. A cocktail-making workshop run by a renowned mixologist was declared by many as “the best workshop ever”. We were served three vodka cocktails within about thirty minutes. Cocktails have something to do with writing novels — I wish I could tell you exactly what the connection is, but my memory’s a bit foggy on that for some reason.

Several friends were up for RITA and Golden Heart awards. My lovely sparkly agency-mate Pintip Dunn was nominated for Best Unpublished Young Adult Manuscript. Fellow Aussie Fiona Lowe won a RITA for Best Contemporary Single Title Romance — and was the first Carina Press (digital-first imprint) to do so. Another fellow Aussie and all-round fabulous gal, Joanne Lockyer was a GH finalist for Best Regency Historical Romance. Brisbane buddy Christina Brooke was a Regency RITA nominee. Tammy Baumann, who along with Shea Berkley showered me with spicy New Mexican treats, won a Golden Heart. No less than SIX of my Ruby-Slippered Sisters were nominated: Sally Eggert (GH), Elisa Beatty (GH – winner, and also gets my award for most amusing acceptance speech), Liz Bemis (GH – winner!), Kim Law (GH), Elizabeth Essex (RITA), and Darynda Jones (two RITA nominations, one win for Best First Book).

I gathered quite a chunk of intelligence on YA from various workshops run by authors Tera Lynn Childs, Sophie Jordan, Regina Scott, Marissa Doyle, agents Emily Sylvan Kim, Kevan Lyon, Laurie McLean, Lucienne Diver, Pam van Hylckama Vlieg, and editors Alicia Condon and Whitney Ross.

I’ll just run through some general things:

• Editors and agents indicated they wanted to see more contemporary stories. Stephanie Perkins’s ‘Anna and the French Kiss’, which I adored, is a great example of this.
• Agent Emily Sylvan Kim says MG/upper MG is hot and it’s a good fit for those who don’t write too dark. Says editors aren’t looking for paranormal right now. They want high-concept, big-world contemporaries.
• Harlequin is extending their digital-first program to YA books.
• Romance is a natural fit for YA, however, it’s usually a subplot.
• Whitney Ross and Kevon Lyon really want to see a well done YA version of Diana Gabaldon’s ‘Outlander’. (Note that Whitney doesn’t take unsolicited submissions, but if you have an agent and you have a YA Outlander ready to go, submit it!)
• Social media is a plus for unpublished authors. Agent Kevan Lyon reported that editors do ask if a potential author has a web presence. You don’t have to be active on every social media platform — pick what suits you best.
• YA writers should try to access the teen within. Listen to teens in their natural habitat (ie. Eavesdrop in a non-creepy way next time you’re standing in line at Disneyland, for example.)
• On writing a YA series/trilogy, Tera and Sophie said the first book in a trilogy will always be the biggest seller. People don’t generally buy the second and third books and not the first. You need a character big enough to sustain the series; high stakes and high pressure.
• On the subject of dark stories, Marissa Doyle says teens use books to explore books to explore darker themes in a safe way. In other words, living vicariously through books, reading about characters experiencing things they wouldn’t necessarily attempt themselves.
• Regina Scott writes ‘cheerier’ books but says they’re harder to sell. She also said in YA there are no rules (like happily ever after) as long as the character grows.
• Voice and theme are important (coming of age, fitting in/belonging). Don’t chase trends.
• YA editors are very hands-on. Fifteen-page revision letters are the norm, and they’re often followed by more. But they do list every little thing including house style conflicts. Don’t be surprised if you’re asked to make changes in plot, character, POV, though.
• Releases follow the literary model — one book per year. Minimum of one year to eighteen months between acceptance and publication. It’s common for release dates to change.
• YA books spend more time on the bookstores shelves (years rather than months), and they’re often re-issued with cover updates. Covers are a big deal for YA readers. They want covers that accurately reflect the book.
• The YA e-book segment is growing slowly. Teens are hindered by credit card and reader device access, plus they tend to prefer physical books.

That’s all I’ve got for now. Off to San Francisco tomorrow to see Chris Isaak and Duran Duran, and fill up on as much clam chowder with my dad as humanly possible.

Did you learn anything interesting at Nationals this year that you’d like to share?

Kim MacCarron, Pintip Dunn, me in the GH awards aftermath.

Fiona Lowe with her RITA award.

Tammy Baumann with a nice bit of jewellery to add to her collection.

Me hogging Darynda Jones’s RITA award for Best First Book, the brilliant ‘First Grave on the Right’. We were passing it around for good luck.

Dazed and Bruised in New York City

It’s a rainy, stormy morning in NY, where the weather was perfect all throughout the Romance Writers of America national conference until today. No matter. I can catch up on sleep, which I didn’t get much of during the conference. Plus, I’ve got a gigantic bruise penetrating the thickness of my right foot and I have nooooo idea how I got it. I just woke up with it this morning. Did I sleepwalk? Sleepdance? This might hamper my efforts to walk to the Chocolate Bar cafe later. But now’s a perfect time to interpret some of the hieroglyphic notes I took during the conf on YA news. 

Tor Teen

Editor Melissa Frain said she wanted to see a ghost-ship submission. She later amended on Twitter that she also wants a buried treasure book. Aside from those, she’s into character-based stories and books with romantic elements. I also have here a scribble that reads “Trends toward 15-to-17 age group.”

Editor Whitney Ross is hanging out for a YA along the lines of Diana Gabaldon’s Outlander series. Her YA tastes run similar to Melissa’s. She likes not necessarily a happily-ever-after ending but a hopeful ending, and books that aren’t entirely dark.

Kristen Sevick, editor of A Dog’s Purpose, is not a YA editor per se, but she is horse crazy. (A woman after my own heart!) Loves Black Beauty (but is interested in books from a human perspective rather than a horse’s POV), any stories in which horses feature.

Editor Susan Chang, who was not at the spotlight on Tor Teen, takes care of younger/middle-grade fiction for Tor Starscape.

Tor Teen books to look out for: The Faerie Ring by Kiki Hamilton; Anna Dressed in Blood by Kendare Blake; Original Sin by Lisa Desrochers.

Pocket Books

Pocket has a limited YA focus at the moment, but RITA-nominated Jennifer Echols is their YA star.

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My agent’s assistant, Beth, very kindly took me on a tour of Writers House lit agency. The building was once owned by the Astors. We went inside a vault the size of my hotel room. It used to house VIPs for the Astors. That is, very important paperwork like deeds and bonds, etc. I was too busy ooh-ing and ahh-ing at the bookshelves filled with Sweet Valley High, Stephenie Meyer, Nora Roberts and Ken Follett titles to take pictures, but you can see some nice shots of the Victorian interior on the agency website.

I didn’t get to all the YA events/workshops this time around, and at one very useful one that I did attend we were asked not to divulge info we learned there. But I will say a number of editors and agents said, submissions-wise, they often don’t know what they’re looking for until they see it. You just have to write a darn good book and if it happens to be a darn good vampire novel, then so be it.

Speaking of darn good books, my dear friend Erica O’Rourke celebrated the release of her debut YA novel, Torn, at the conference. Torn was last year’s Golden Heart-winning book. Erica’s beautiful new website went live, too. If you have one of her bookmarks, the QR code printed on it will lead you to exclusive content and extra scenes hidden on her site.

CONGRATULATIONS to this year’s Golden Heart winner, Suzanne Kaufman Kalb, and the 2011 RITA YA winner, Julie Kagawa, for The Iron King, which was the first book editor Natashya Wilson acquired for the Harlequin Teen line. For the full, stellar list of GH and RITA winners, see RWA’s announcement here.

Okay, the rain’s slowing down and I’m all out of Cheetos, so it’s time to venture out into the City. I ♥ NY!

Erica O'Rourke, me, Kim MacCarron - post awards, post deeeeelicious dessert

Carey, I Can See Your ‘Halo’…

Sing it with me! “You know you’re my saving grace…” (Apologies to Beyoncé.)

In 2010, Carey Corp’s YA novel was a finalist in the prestigious Golden Heart Award, and today we’re celebrating the release of that book, THE HALO CHRONICLES: THE GUARDIAN. Kristi Cook, author of HAVEN, says, “Thrilling and oh-so-romantic, THE GUARDIAN will keep you up all night, turning the pages!” In this urban fantasy, an angel, Gabriel, is sent to protect Alex, a girl with a special gift that she’d do anything to return. They each have their own destinies to fulfill, but will falling for each other get in the way and tear their fragile worlds apart?

Please welcome a dynamic new talent, Carey Corp!

Carey, congrats on the release of your edgy angel YA novel, THE HALO CHRONICLES: THE GUARDIAN! It’s the first in the series. What was the inspiration behind your story?

Strangely enough, the inspiration for my YA was women I knew who were “hooking up” with their high school crushes on Facebook. I started to wonder what it was about first love that would tempt women to risk the lives they’d built and their families. I wrote this: “A woman’s first love has a special and often confusing hold over her life. As it is happening and even years after the relationship’s demise, that love can become a stumbling block to happiness, impeding the ability to move forward.”

As I explored this concept, THE GUARDIAN fell into place. I mean, what better symbolism for the idealistic perfection of first love than an angel. Don’t get me wrong, the angel is *insert swoon* HEAVENLY. But what really intrigued me about this series was the boy who comes after the angel. Does he even have a shot?

Hmm, we’ll all have to buy the book and find out if he does! 😉 Your heroine, Alex, can see goodness and evil in others by the appearance of their auras or halos. Of course, most ordinary folks can’t see halos. It’s a preternatural gift that she feels is actually a curse–why is that?

Most teens just want to fit in — be normal. Alex is sooo not normal. She sees evil and her fear triggers all kinds of unpleasant sensory reactions. Wouldn’t you think that was a curse?

I’m a scaredy-cat, Carey — I’d probably react the same way! That brings me to my next question: Do you believe there’s a guardian angel looking out for you?

Absolutely. When I was a teenager, a guardian angel named Trey saved me from some scary guys in downtown San Francisco. Honest to God!!!

Here’s the story: I went on a trip to San Francisco with the peer-counseling club. All the other kids went off together and I got left behind — I probably could’ve joined them if I’d asked — but in my ego-centric perception I’d been intentionally snubbed. So, I took off on my own, at night, down Market Street. I walked for blocks in a huff, not noticing the surroundings go from nice to shabby.

Just as I realized I was in a bad neighborhood, a couple of creepy guys — who’d been loitering on a stoop — came at me. Not fast, but deliberate. Before I could panic *much* this teenaged boy came out of nowhere to step between the creepers and me. He put his hand on my shoulder, moving me as he said, “I think you want to turn about now.” Then he linked his arm in mine and walked me the fourteen blocks back to my hotel.

What I remember most is that he really listened to me at a time when I needed an empathetic ear. Well that and after he kissed my cheek in front of my hotel, he disappeared. As I entered the building, I stopped and looked back toward Trey but he was gone.

I got chills. Love that story!  In addition to the THE GUARDIAN, you’ve co-written DOON, another YA, with Lorie Langdon. What are the challenges and benefits of writing as a duo? 

Challenges: Hair pulling, name calling, crying, and, of course, the silent treatment. And that’s on the good days. 🙂

Benefits: Lorie was my crit partner before my writing partner and she’s one of my best friends. It’s a lot of fun to write a story about bffs with your bff. As part of our co-authoring process, we’ve talked to several collaborative duos. One thing we learned is every writing partnership works differently. Kami and Margaret (BEAUTIFUL CREATURES) collaborated on each chapter and wrote over one another (no hair pulling). Lorie and I each took a character and alternated chapters. It was so much fun. We’re in an intense revision right now *can’t say more* and part of my goal for my reworked chapters is to crack Lorie up. Trust me — it’s preferable to the hair pulling.

LOL! I can imagine! Sounds like a fun process. Speaking of fun, I hear you’re a big fan of John Hughes movies (You have such good taste!). What did his films teach you about life?

Everything. John Hughes recognized that my life was important. He gave value to the lives of every geek that rode the bus to school and every misfit that cowered against the gym wall at a dance. He taught me weird is good, popular kids feel pressure too, and rich guys are douches.

So true. Your blog features a fun series called FIRST LOVE FRIDAYS where your guests open up about — you guessed it! — their first loves. But, Carey, honey, I want to know about your first love. C’mon, spill!

Yes, FLF is the first Friday of each month. In June, I’m featuring *shameless plug* RITA finalist, Tina Ferraro. Oh sorry, you asked about my *ahem*  first love.

I didn’t date in high school. I was insecure and awkward. I took a junior to prom and he danced the last dance with someone else. In high school, I read. A lot. I liked boys — but they didn’t like me back — or they did, for about a minute — or they wanted to move too fast and when I wouldn’t, they ended up going to second and a half base with my best friend.

My first kiss was easy. Third grade. Jonathan. His dad was a nurse and my dad was a nurse and that’s all the kismet we needed for an elementary smooch. Love was…confusing. I’d have to say the first person I knew I loved — not an epic Pretty in Pink Jake-like crush — was my hubby. That was years after high school…for me, at least.

Wow! Is it any wonder I write YA? Cheaper and more cathartic than therapy. Plus it’s a great way to get revenge on the mean kids. 😉

Couldn’t agree more! Thanks so much for sharing, Carey! 

Carey is giving away an e-copy of THE HALO CHRONICLES to one lucky commenter. All you have to do is tell us about your guardian angel experience and/or your favourite John Hughes movie. 

Buy THE HALO CHRONICLES: THE GUARDIAN (a 2010 RWA Golden Heart® finalist for young adult fiction) at Amazon     Barnes & Noble    Smashwords    Coming soon to iBookstore. Turn your computer into a free eReader: Kindle for PC  NOOK for PC.

More information at www.careycorp.com. Visit Carey’s blog.

Codename: Amanda Brice!

My talented and clever friend AMANDA BRICE is here and we’re pirouetting over the release of her brand-spanking-new YA novel, CODENAME: DANCER. Heroine Dani is centre-stage in a reality TV show but soon finds herself embroiled in a sabotage plot…and she’s the prime suspect. I loved the story’s fast pace, and there’s plenty of fancy dance action to go around. Gemma Halliday says it’s “a must-read for every girl who ever danced — or wanted to!” Amanda very gracefully stepped away from the barre to answer my questions today.

1. Amanda, you’re one of those amazing people I look at and think, “How does she do it?” You’re a mum, a wife, a Ruby-Slippered Sister, a writer, and an attorney in Washington, DC. What’s your secret? And are you going to patent it? 🙂

LOL, I’m not sure I’d describe myself in as glowing terms as you are, but hey, I’ll take it! And now that you mention it, yeah, actually I am pretty busy. I’m tired just reading that list! But I’ve always found that I do best when I’m running around like a crazy girl. It’s when I have a ton of downtime that I get twitchy and don’t quite know what to do with myself.

2. Like your heroine, Dani, you’re a dancer. (See the evidence here, folks!) Apart from providing the backbone for Codename: Dancer, how has ballet enriched your writing life?

Dance has always been a part of my life. It sounds cheesy, but it’s in my blood. I don’t think I could ever not dance. Not only is it a wonderful creative outlet, but it also instilled a sense of discipline and confidence. And being a performer taught me that I could be any different character that I wanted, which helps when I’m trying to really get into the head of my heroine.

3. Dani faces some pretty daunting threats to life and limb. If you could whisper in her ear, what advice would you give to keep Dani on her toes, so to speak?

Honestly, I’d tell her to butt out and stop snooping! Sure, she only gets involved because strange things are happening all around her, but it’s her nosiness that escalates the situation. But of course, we wouldn’t have a story if she listened, would we? Like any self-respecting humorous mystery/romantic comedy/chick lit YA author, I like to torture my heroines. LOL.

4. What was the most challenging aspect of writing the book?

This was the first YA I ever wrote, so I wasn’t certain whether I could do it. I was more than twice Dani’s age! But I guess I never grew up, because it turned out that I was able to channel my inner teen pretty effectively. I ended up writing the first draft in just 6 weeks….but then it was time for the revision stage. And um, it took longer than just 6 weeks. LOL

5. Codename: Dancer was a Golden Heart finalist in 2009. Tell us about its journey to publication.

After I finaled in 2009, my former agent shopped Codename: Dancer widely, and we actually had a lot of positive feedback from editors. They loved the premise, loved the writing, loved the characters, loved the voice. It even made it to the final acquisitions meetings at a couple of publishing houses. Sounds great, right? Only problem was that marketing didn’t know how to characterize it. The YA imprints all said it was Middle Grade, but the Middle Grade imprints all said it was YA. And since traditionally published books can only be shelved in one place in a bookstore, ultimately they passed.

In reality, it’s kind of both. I consider it “Younger YA” and I think there’s a whole segment of kids out there in the roughly 11-14-year-old age group who aren’t being served by the current classifications. They’re ready for something meatier and hipper than MG, which they consider to be too babyish for them. (And let’s face it. It is.) But they’re not quite ready for the more mature emotional themes of, say, Twilight.

So I decided to take a chance and do it on my own. The publishing houses deemed this a niche book, but I can afford to market it to a niche readership. That’s the beauty of indie-publishing. In a virtual bookstore, I can cross-shelve it and I’m not tied to what bookstore buyers say.

6. Who should consider indie/self-publishing, and what do authors need to be aware of when striking out on their own?

I think if you have a niche book, indie-publishing is perfect for you. Or anything out-of-the-box. I do love NY, and I hope to have a traditional contract one day, but sometimes the definitions are a little too rigid. And I can understand their reluctance to take a chance, because that’s their risk on the line if a book doesn’t sell out its advance.

But I don’t think you should simply bang out a book and put it up on Kindle. Ultimately it’s your professional reputation at risk, so just like a traditionally-published book, you must put forward the absolute best product possible. And that’s the problem. The best thing about self-publishing is that anyone can do it. The worst thing about self-publishing is that anyone can do it.

I hope I don’t sound elitist, but unfortunately, there are a lot of self-published books out there that never should have been published. It’s not that they’re not good books, or their authors aren’t good writers — they’re just not ready. But there are also a lot of really excellent self-published books, and the revolution of the last year has shown that it’s a viable career choice.

So I guess my advice is that if you’ve gotten excellent feedback on your manuscript (and not from your mom!) and you think that NY is not quite right for it for whatever reason, then indie-publishing might be for you. But please do yourself a favor and give it as close to a traditionally-published experience as is possible.

Invest in a professional cover. Hire an editor (or at least utilize multiple critique partners and beta readers…as well as a qualified proofreader). Teach yourself formatting or hire a freelancer. Set a “launch date” and build up buzz ahead of time by giving away copies in contests and undergoing a blog tour. Send it to published authors in your genre for a cover quote. And send it to reviewers. Call on your networks. Were you in a sorority in college? Ask them to feature your book in their alumni magazine. Is there a particular hobby or activity featured in your book? Contact the various magazines or organizations for that activity and ask if they would help you promote. You never know unless you ask!

But remember that for every Amanda Hocking or Victorine Lieske, there are hundreds or even thousands of indies who will struggle. And it’s a marathon, not a sprint. Even the indies who have hit the NY Times list in the recent months started off selling just a handful of copies. On average, it takes 6 months or more for a self-published author to find a readership.

7. What projects do you have waiting in the wings?

I’m working hard on a Codename sequel, which I’m calling Pointe of No Return. I hope to release this one in late fall, probably November. I already have the cover, and I love it just as much as the first one. I heart my cover artist so much! (Shout out to the uber-talented Amy Lynch of Pens & Needles.)

I’m also writing a cozy mystery featuring a very pregnant heroine. (This one’s aimed at adults, not teens.) I’m having a lot of fun writing it and it’s cracking me up. (Hopefully other people will find it as funny as I do.) My goal is to hit up NY with this book. We shall see!

Amanda, I have no doubt NY is yours for the taking! Thanks so much for performing today’s blog pas de deux with moi.

Amanda is generously giving away an e-copy of her debut book, Codename: Dancer. For your chance to win, leave a comment and tell us what your favourite dance movie is. Amanda’s also happy to answer any questions you might have — she promises not to charge by the hour. The winner will be announced on the auspicious date of Friday, May 13.

Bits

Lit agent Michelle Humphrey of uber talent agency ICM, who represents my wonderful 2010 Golden Heart sister Jen McAndrews, is offering the chance to win a 10-page critique at the Class of 2k10 blog! (Gosh, what a long sentence!) You’ve got until Sept 14 to enter, so…RUN!

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If you’re in Brisbane, the writers festival is happening right now. My girls Anna Campbell and Christine Wells, both historical romance authors, are running a workshop. Those two are a great double act, so go along and see them if you can.

I’m not in Brisbane, so among other things, I’m going to attempt something rather ambitious–making macarons. I had a salty caramel macaron at a Sydney cafe recently and the memory of this sweet morsel continues to linger! Culinary goddess Not Quite Nigella learned how to make them at Baroque Bistro. Check out her experiences here. It looks like a long and drawn-out process, and if I fail, I’ll probably go out and buy some instead. Either way, I shall have my way with macarons this weekend!

Mmmmacarons!

More mmmmacarons!

Last Day in L.A.

I have had an enchanting time in the US, first hobnobbing with the literati in Florida and then hanging out with my dad in California. But tonight I head back to Australia, where my hunky hubby and two cats await, and the renovation has progressed from this…

The sorry scene a month or so ago...

…to this…

Ta-da! Okay, there's still a bit to do, but it won't be long before it's all done. The benchtops will be fitted next week, and hunky hubby has been waiting for me to come home and put together the kitchen drawers. We've become masters of interpreting abridged IKEA instructions, so this is actually going to be fun!

The day after I get home, I’m going to the RWAus conference, where Tracey O’Hara and I are presenting a workshop about self-promo on a writer’s budget, plus I’m doing the AV presentation for our awards night. I’m biting my new fake L.A.-style nails.

Lovely two-time RITA nominee Tina Ferraro caused pandemonium when she sent me this link to Meg Cabot’s blog, which features Tina, moi, and my 2010 GH finalists, aka the Margaritas!

A photo of a bestselling author (Meg) taken by another bestselling author (Kelley Armstrong)! That's me on the left, looking numb in the presence of greatness (Meg) and a great dress (Meg's), with the talented Shea Berkley on the other side.

My MargaRita gal Kim MacCarron and me just before the awards ceremony. Kim's pearls tried to make an escape later on but I think we recaptured them all.

I will post more random photos when I get home. I’ve gotta continue packing now. I have stacks of books, so let’s keep our fingers crossed that my bags are each within the 23kg limit.

I’m Not Dead! (but I am dead-tired)

Yes, it has been a while since I last posted. I’ve been busy with house reno stuff and prep for my trip to Orlando for the Golden Heart Awards. The awards were run last night and I’m uber happy to report one of my new BFFs, Erica O’Rourke, took out the best YA manuscript award. On top of that, Erica signed a three-book deal with Alicia Condon at Kensington!!!! Congrats! We 2010 YA finalists formed a close bond before heading to Orlando and we had a ball together all week. We missed double-finalist Shelley Coriell, though, as she was at SCBWI in L.A.

Also a winner was my lovely Aussie buddy Kylie Griffin. Kylie’s been blitzing contests in Aus and NZ, and it was only a matter of time before she conquered the US too! Congrats, Kylie!

Click here to see the full list of GH winners.

The awards are known as the Oscars of romance writing, so of course I have to post pictures of everyone in their finery. I’ll have more conference photos and gossip in the next few days.

Kim MacCarron, Shea Berkley, Erica O'Rourke (winner!), me, Jen McAndrews, Carey Corp - aka the 2010 GH YA finalists, aka the MargaRitas

Part of the Aussie contingent - me, Erica Hayes (top centre), Kylie Griffin (winner!), my date Anna Campbell in front.

Meg Cabot (!!!!) and me. Little does she know I'm hyperventilating in this shot.

Losers! From left, paranormal romance finalist Katrina Snow, Shea, me, Kim and Jen.

Me and Rosemary Clement-Moore, out-going prez of the YARWA chapter, former RITA winner and all-round fab person.

Our Kylie accepting her award in the paranormal category.

Jen and her roomie, Linda Gerber, author of the 'Death By...' series.

Winners! Jacqui Nelson (Historical category) and CJ Chase (Inspirational category).

Watch this blog for more photos to come!

Rainy Day Round-Up

It’s raining, it’s pouring, I wish I were snoring… Yes, I do, because I’ve had an acute lack of sleep these last few days.

So what’s been going on? Well, our renovation is going full steam ahead now that we have a new builder on hand. All that remains of the old kitchen are the floor joists and bearers, kitchen sink, the walls and roof rafters. Brings new meaning to a ‘bare larder’. Here’s what it looked like yesterday:

And from the same angle, here’s how the room looked a few months ago:

If all goes well, in about two to three weeks, I will post a picture of the finished product…

In other news, I’ve interviewed my fabulous agency-sister Elizabeth Eulberg on the We Love YA blog. She’s a wonderful new talent and her debut book, The Lonely Hearts Club, had me in stitches–just ask the people who ride the morning train with me! Comment on the WLYA blog and you could win your own copy of the book, pictured below.

I Wanna Be Your Joey Ramone

Actually, Emily, the heroine of Stephanie Kuehnert‘s first book wants to be your Joey Ramone. Here’s the blurb:

I WANNA BE YOUR JOEY RAMONE is book about mothers and daughters and about punk rock. Emily Black learned to play guitar even before she learned to tied her shoes. After all, music is a huge part of her life. Just months after Emily is born, her mother Louisa leaves Emily with her father Michael unable to cope with having a child. Michael tells Emily that Louisa went to follow the rise of the punk scene around the country. Emily grows up listening to Louisa’s old records and practicing like crazy. She’s determined to be a musician who can rock better/faster/harder than the best of them. Because if she is the music, then Louisa will come find her. She’ll be drawn to Emily. Right?

I can hear the soundtrack already. I’m so excited for Stephanie that I might have to be sedated.

Stephanie, who just happens to be one of my generous crit partners, is doing a reading this Wednesday, September 5, at Sheffield’s in Chicago from 7pm. Go along and see her if you’re in the area. I WANNA BE YOUR JOEY RAMONE will be a June 2008 release through MTV Books.

Goodness Gracious!

While cruising my favourite blogs for pitching tips, I read this exchange in the comments trail of a recent Pubrants post. An anonymous poster criticised the Publishers Marketplace blurb for YA author Kelly Parra’s Graffiti Girl. Expressing an opinion is fine. But what I found memorable was Kelly’s gracious response. It would’ve been all too easy to shoot back with a scorching reply. Instead, she killed ’em with kindness. I think that says a lot about her and how to win fans and influence bloggers.

In other news…
Writing victory of the week: finished a YA ms. Hooray!